A trip down memory lane: Columbia BO
Posted: Sun Jan 14, 2018 7:47 pm
On the hot and humid evening of July 25, 1963, my parents and I went to a country auction in the small town of Granby, Massachusetts. We went because of a small mention in an advertisement: "Columbia graphophone, cabinet, 106 cylinder records, very clean." We got there at 6 to check it out. It turned out to be a complete and excellent BO. Better still, it had 2&4 minute gearing. And to really get my heart beating, it came with a Herzog half-barrel filled with Indestructible and Blue Amberol cylinders. It was straight from a local estate. We had to endure hours of other miscellaneous bric-a-brac until the BO finally came under the hammer at 9:30. We got it for $40.
That was a lot of money for me. We had a hard rule at the time: $25 was the upper limit I could spend on a phonograph, and even that was a stretch. This one obviously went beyond but I rationalized it as costing $25 for the phonograph and $15 for the cabinet.
I kept it until 1970 when I moved to Colorado. I couldn't take my entire collection so I sold most and packed 12 'keeper' machines into a VW bug, along with my other possessions, and head west. (I have no idea how I got so many into that car, including a Standard with wood cygnet horn.) Fortunately my mother had taken a liking to the Columbia BO so she opted to keep it.
In 1981 they retired to Florida and didn't want to haul the BO. My mother offered to give it back to me if I would arrange the shipping. I got someone to crate it and ship it out to California, where I had moved to after several years in Colorado.
The BO sat in various places in the house until the mid-1990s, when I moved it to a high shelf in my home office. It has sat there ever since. Until today.
For a long time I've been thinking about rearranging things to get it back into a place of honor. I finally did it after years of procrastinating. But, needless to say, it needed a bit of cleaning. It has been pretty much inaccessible for over 20 years. In all that time it has hardly ever even been dusted, and even then only very superficially.
I can't believe I didn't take any pictures of it when I took it down today. 'Filthy' doesn't begin to describe the massive amounts of dust, and the excessive oxidation on all the nickel plating. I spent nearly 4 hours cleaning it this afternoon.
I didn't think there was any prayer of bringing the horn back to life -- the nickel was incredibly dull. It took several stages of cleaning, polishing, and waxing to bring out some shine. Not as much as 50 years ago but a lot more than I believed possible. The machine itself was equally filthy but it cleaned up much more quickly.
When I got it in 1963 I didn't have any suitable belting material. I made a belt out of some black cloth ribbon. That remained on the machine all this time. Finally, nearly 55 years later, I made a proper leather belt for it. With some judicious cleaning and oiling it is running great again. And the never-rebuilt reproducer sounds amazingly good! That's pretty incredible, considering it's 112 years old.
No more collecting dust on an inaccessible shelf. This machine deserves to be displayed proudly. The next step will be to find a way to rearrange my living room to get it back on its original record cabinet, which is currently supporting an Edison Opera.
That was a lot of money for me. We had a hard rule at the time: $25 was the upper limit I could spend on a phonograph, and even that was a stretch. This one obviously went beyond but I rationalized it as costing $25 for the phonograph and $15 for the cabinet.
I kept it until 1970 when I moved to Colorado. I couldn't take my entire collection so I sold most and packed 12 'keeper' machines into a VW bug, along with my other possessions, and head west. (I have no idea how I got so many into that car, including a Standard with wood cygnet horn.) Fortunately my mother had taken a liking to the Columbia BO so she opted to keep it.
In 1981 they retired to Florida and didn't want to haul the BO. My mother offered to give it back to me if I would arrange the shipping. I got someone to crate it and ship it out to California, where I had moved to after several years in Colorado.
The BO sat in various places in the house until the mid-1990s, when I moved it to a high shelf in my home office. It has sat there ever since. Until today.
For a long time I've been thinking about rearranging things to get it back into a place of honor. I finally did it after years of procrastinating. But, needless to say, it needed a bit of cleaning. It has been pretty much inaccessible for over 20 years. In all that time it has hardly ever even been dusted, and even then only very superficially.
I can't believe I didn't take any pictures of it when I took it down today. 'Filthy' doesn't begin to describe the massive amounts of dust, and the excessive oxidation on all the nickel plating. I spent nearly 4 hours cleaning it this afternoon.
I didn't think there was any prayer of bringing the horn back to life -- the nickel was incredibly dull. It took several stages of cleaning, polishing, and waxing to bring out some shine. Not as much as 50 years ago but a lot more than I believed possible. The machine itself was equally filthy but it cleaned up much more quickly.
When I got it in 1963 I didn't have any suitable belting material. I made a belt out of some black cloth ribbon. That remained on the machine all this time. Finally, nearly 55 years later, I made a proper leather belt for it. With some judicious cleaning and oiling it is running great again. And the never-rebuilt reproducer sounds amazingly good! That's pretty incredible, considering it's 112 years old.
No more collecting dust on an inaccessible shelf. This machine deserves to be displayed proudly. The next step will be to find a way to rearrange my living room to get it back on its original record cabinet, which is currently supporting an Edison Opera.