I've seen this comment made a lot down through the years and yet I don't believe its actually true to suggest that ALL 100's have flat edge turntables and light coverings. I've seen far more 100's with identical turntables to the 101 complete with chocolate coloured felt. I think they switched at some point during its limited production run just prior to the first front winding 101s replacing the model.Dulcetto wrote: ↑Sun Feb 28, 2021 1:53 pmThe turntable is the incorrect pattern for a model 100 , which had a flat rim edge , not a slightly raised rim channel as per most model 101s and all model 102s. Naturally the turntable felt colour is therefore incorrect also, the felt used in 1924 / 25 was a lighter brown colour , almost tan Dulcettoepigramophone wrote: ↑Wed Nov 27, 2019 8:37 am Both the Dave Cooper book and "His Master's Gramophone" state that in the UK the HMV100 was only available in black. The only other version was the Tropical Teak model assembled in HMV's Calcutta factory for the Indian market. Even the HMV101 was only available in these same two versions until mid 1927, when coloured variants first appeared.
The machine pictured appears to have been heavily restored and, I suspect, re-coloured.
Back in the days when 100s were seen as extremely rare I think the more common variation of flat edged turntable was seen. Since the Internet turned our pre-conceived notions of what things should look like on our heads and what constituted "rare", we've seen a lot of model variations turn up. The black oak 100 pictured above and my oak 100 both have the 101 type turntable. Along with the other UK 100s I've seen, including one in my collection which is in concourse condition, they can't all be wrong.