---
I mind as well share my story in this respect. I was 13 and I had just begun getting into opera and happened to find a CD of Caruso's first recordings. Needless to say I was fascinated by the liner notes about the early recording process. A few weeks later I was in a thrift store when I found 2 single-sided Victor recordings, one of which had around a 2" chunk missing. They were "The Rainbow of Love" by John McCormack (the one missing a chunk) and "A Perfect Day" by Alma Gluck. I still have both. I remembered the mention of the "Victor Talking Machine Company" from the Caruso notes and thought they were cool. I took them home and plugged the singer's names into the internet and I came up with Mark Best's besmark.com (where the predecessor to this forum initially was). So I started reading more about the records and machines. A week later I went thrift store hunting and came home with an album full of dance records with the same "Victor" label (the batwing). At the time I remember I didn't have a way to play them so I put them on an old 33 rpm turntable I had, recorded them with the computer mic and then doubled the recording speed on "Windows Sound Recorder". Brought it up to roughly
67 RPM but at least I had an idea of what my records sounded like. It wasn't until a year later I got my hands on an old Califone and could play them at 78 RPM. I had begun looking for a Victrola and found a little VV-VI on ebay for $150. I saved up birthday money and bought it. The day it came in I must have sat with it from dawn till dusk listening to all the records I found. I remember the first I played was Nat M. Wills reciting "No News or "What Killed the Dog". Needless to say at the same time started my infatuation with transferring the records. I first put a computer mic up to the Victrola, then as years progressed my technology advanced. Now I'm 25 and adrift in a sea of records...
