Hi Credenza Lovers,
Several months ago my new credenza(no.1262) with two doors arrived home and it looks and sounds fantastic, of course I checked the horn's condition and other joints for the air-tight ness. Unlike 4-door one, its horn opening is wider. since it is not partially blocked by two doors. Also I made 4 baffles for the records storages in order to make the sound more efficient.
Best regards,
Hideki
Two-Door Credenza with Baffles
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Re: Two-Door Credenza with Baffles
It's a beautiful example. I'm not sure how the storage baffles work, but again it looks great!
"You can't take the phonographs nor the money with you, but the contentment the phonographs bring may well make your life better, and happier lives make the world a better place."
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Re: Two-Door Credenza with Baffles
The record storage baffles become a part of the main horn. They can extend the horn from both sides to the two large doors, which are also the extension of the horn parts. When those record storage rooms are empty, some sound from the horn will escape to the inside of the storages rooms, which means there must be some loss of the sound from the main horn. I hope I explain the function of the baffles.
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Re: Two-Door Credenza with Baffles
The Micro-Perophone Chromogram, the best cabinet gramophone most people have never heard of, did it like this :
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Re: Two-Door Credenza with Baffles
Does this mean that you did not modify the cabinet in any way, aside from fitting some grill cloth over the record storage areas?Watanabehi wrote: ↑Mon Sep 26, 2022 10:52 pm The record storage baffles become a part of the main horn. They can extend the horn from both sides to the two large doors, which are also the extension of the horn parts. When those record storage rooms are empty, some sound from the horn will escape to the inside of the storages rooms, which means there must be some loss of the sound from the main horn. I hope I explain the function of the baffles.
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Re: Two-Door Credenza with Baffles
I have not modified any parts of the cabinet. I just made flat cardboard boxes lacquered with mahogany stain and put them in the storage spaces without any opening.
Hideki
Hideki
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Re: Two-Door Credenza with Baffles
Interesting! Thanks for sharing!Watanabehi wrote: ↑Tue Sep 27, 2022 10:33 am I have not modified any parts of the cabinet. I just made flat cardboard boxes lacquered with mahogany stain and put them in the storage spaces without any opening.
Hideki
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Re: Two-Door Credenza with Baffles
Can you explain how putting 4 cardboard boxes in the record album shelves improves the sound over just leaving them open?Watanabehi wrote: ↑Tue Sep 27, 2022 10:33 am I have not modified any parts of the cabinet. I just made flat cardboard boxes lacquered with mahogany stain and put them in the storage spaces without any opening.
Hideki
I'm not asking how you can hear an improvement, but a definite repeatable improvement provable with math or actual test equipment results.
Chuck
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Re: Two-Door Credenza with Baffles
I do not have any equipment to measure the differences of the sound. If you have the same model of Credenza in good condition and do the same thing like I did, you can test the sound differences using any equipments you have. I use Susudake fiber needles which I make for all of my collections. This two-door Credenza can compete with HMV 202 Gramophone I have quite well in terms of volume and sound quality.
Hideki
Hideki
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Re: Two-Door Credenza with Baffles
Hi Hideki:
Based on what you explained, you did not drill or cut apertures in the sides of the horn to allow the sound waves to pass directly into the baffle chambers, as is the case with the Micro-Perophone Chromogram.
Instead, from what I see, the chambers make the record compartments flush with the horn's mouth. Could the improvement you hear, then, result from the sound waves being more efficiently transmitted to the open doors, via the flat surfaces over the record compartments? This would cause the doors to function, to some extent, as an extension to the horn's mouth.
OrthoFan
Based on what you explained, you did not drill or cut apertures in the sides of the horn to allow the sound waves to pass directly into the baffle chambers, as is the case with the Micro-Perophone Chromogram.
Instead, from what I see, the chambers make the record compartments flush with the horn's mouth. Could the improvement you hear, then, result from the sound waves being more efficiently transmitted to the open doors, via the flat surfaces over the record compartments? This would cause the doors to function, to some extent, as an extension to the horn's mouth.
OrthoFan