pughphonos wrote:Estott, what do you think of the likelihood that the two model H's that now bear the Operaphone tag never had tone arms installed to begin with; that they were in the process of conversion (from their original Actuelle configurations) but never completed?estott wrote:De Soto Frank wrote:I have a Pathéphone VII, not closely related, but an American Pathé` product.
American Pathé` seems to have sourced their motors, and presumably the rest of their hardware from Heinemann...
Is it a safe bet that the tone-arm for the Operaphone / Prestonia came from Heinemann too ?
I would not be certain of that- Heineman arms are generally of good quality and durable, even with pot metal content. On both Operaphone machines that have turned up the arms are gone.
I doubt that. The machine I examined had been in the possession of the owners family since at least 1926- why would they buy an incomplete machine?