
John, I agree with you about The Fabulous Phonograph being more "human" than Tinfoil to Stereo. I still have my first-edition copy with the dust jacket that I pored through when I was nineteen. Descriptions such as the one you mentioned plus many others really injected romance and human interest into the talking machines stacked in my bedroom back in those days. Roland Gellatt didn't delve quite as deeply into technical history as I would have liked, and he neglected to mention some of his sources, but yet there are very few mistakes to be found in the book. Gellatt was more of a record guy I think, and his focus on recording artists of the day and how they were recorded would naturally lead him down the Victor path. For all that, he didn't neglect the machines. I have a soft spot for The Fabulous Phonograph. If anyone on the board hasn't read it, they really should - it's a fun book.
George P.