Hi Carlos:CarlosV wrote:OrthoFan, the Victor VV-8-35, the one that looks like a small bookshelf, has a metal horn AND the soundbox is the orthophonic.OrthoFan wrote:CarlosV wrote: I do remember that he specifically stated, "the Orthophonic Victrola was not designed to have a metal horn."
OrthoFan
Yes, I'm very familiar with that model. The same horn was also used in the automatic VV-10-35 -- http://www.victor-victrola.com/10-35.htm
I've pondered the statement that the Orthophonic Victrola "was not designed to have a metal horn" from time to time, over the years. Frankly, I don't know if this was based on actual documentation the collector had uncovered, or speculation on the collector's part!
I think the collector was talking about the system's original design, as developed circa 1923-1924 and described by Maxfield and Harrison in "The Theory of Matched Impedance." Whether any dampening or potential sympathetic vibrations caused by a large, wooden horn were factored into the sound box's development, I don't know. The metal horn, as used in the 8-35, certainly changed the overall sound quality compared to the earlier 8-30; many would say improved or enhanced it. Personally, I prefer the more mellow tone of a carefully restored Credenza.
As for David Cooper's reference to the buzzing No 5 sound box, that would have been very early in the development of the HMV 102--several years before its introduction--when the Gramophone Co. executives were still looking at design options, and were deciding whether to use the VV-2-55 or perhaps the VV-2-65, both of which used the Orthophonic (5) sound box as a model for the produced versions. (They didn't like them, apparently.) It's interesting, though, that they settled for the HMV 16 sound box, which was virtually identical to the modified Orthophonic sound box installed on the VV-2-35 portable -- http://www.victor-victrola.com/2-35.htm -- several years earlier.
OrthoFan