Okay, I see. Thank you!Inigo wrote: Tue Oct 22, 2024 12:05 am I suspect your records are all prone to black dust.
The Columbia with the Falange hymn is R-6000? Then it's not 1954, but a bad pressing from 1936-1937, and it was not the best quality shellac due to the war shortages. Besides that it was overmodulated and never sounded very well. I know because I have the same record. Not a good example for these tests. The black dust on it comes from the record whatever needle you use, and bamboo is worst, as it will burn the grooves with the friction.
Can you post a clear, full flat photo of this record? We could judge better then...
Besides that, undoubtedly the sound is constricted and not as full warm and good as it should be. Not sure, but I bet you have a problem with the soundbox, and my advice is not to play records anymore except one sacrifice record you choose for trials and tests until you get this problem solved. That soundbox will destroy anything you play with it.
Watch this example of a well restored 5a soundbox and how should it sound on a good 1941 record: this is with bamboo needle but the record is a good pressing and in a perfect shape;
https://youtu.be/NLs17N_3CIM?si=EBa18EK9C5YpM-tl
https://imgur.com/a/KtEtsAM
There is a picture of the Columbia record, yes it is R-6000 so I guess I got the date wrong, sorry!
I've just two questions,
- What should I do with my soundbox? Anything to restore in particular? Full restoration?
The only expert in my area offers this process for soundboxes:
-Disassembly and cleaning of all parts.
-Replacement of joints.
-Stylus bar tension adjustment for optimal operation.
-Sealing with wax of the stylus-diaphragm connection.
Is that enough or should I send my reproducer overseas for everything to be restored?
Second question is, have I fully destroyed all my records yet, or do they still have a chance for survival If I restore my soundbox?
I'm sorry if my questions are stupid!
Thank you very much!