Re: Amberola DX
Posted: Tue Oct 12, 2021 11:25 am
The advantage of an open horn Fireside is that a cygnet horn can be fitted to it for great fidelity, and a Fireside A can play anything. I also happen to have one up for sale but that has nothing to do with this, no sir, of course not--
But seriously good find on the Amberola. I like Amberolas and the DX is a unique-looking phonograph.
What I'd do is leave the Diamond B reproducer in the Amberola, and don't convert away from 4m only. The problem with the C and H reproducers is that they don't sound as good as the diamond reproducers--for a 2m only machine, I'd suggest building a Model A or B Edison Home (as they're pretty cheap when found with 2m only gearing) and then put a C reproducer in with upgraded diaphragm. For a horn pick a nice morning glory Home horn, a full sized black & brass horn or brass concert horn, or ask David Zavracky here about the performance of Searchlight horns. Recordings made from the Searchlights in his collection sound quite nice.
Optimize the motor of the Home with leather belts, a new pulley (Ron Sitko had some turned aluminum ones, and Brian Parlier has his business now) and fresh governor springs--take the output shaft to a machinist & have it straightened as it's almost always a trifle bent, and then polish everything. Change the mainspring if it needs it. If the Home is a Model A then get replica rubber bumpers for the top casting & motor mounts, and of course change the feet of the machine. That will play any 2m record you get, look great, and leave your Amberola with the diamond reproducer.
I didn't mention an O reproducer and cygnet as this is a recipe to build a good player but keep costs down. Cygnets look like a million bucks & are priced accordingly--besides, not every case is drilled for the cygnet bracket, and why drill original cases.
The Diamond Amberolas were sold as the Next Big Thing in phonographs, and much of that is due to the diamond reproducers. Amberolas are some of my all-time favorite Edison phonographs and you will love yours.
And don't worry about the bad case; the bottoms can be replaced. Here's my Amberola 30--after I got it, a few years ago. The bottom rotted so badly that the front molding fell off. It'd been in water in Florida and had been home to roaches.
And here it is after restoration; I did end up replacing side & back veneers. Of course this room at the family house has been reorganized a few times & the Victor is now in storage and fitted with a morning-glory horn (that I should repaint.) But even a rotted-out Amberola case can be redone with the right woodworking skills.
But seriously good find on the Amberola. I like Amberolas and the DX is a unique-looking phonograph.
What I'd do is leave the Diamond B reproducer in the Amberola, and don't convert away from 4m only. The problem with the C and H reproducers is that they don't sound as good as the diamond reproducers--for a 2m only machine, I'd suggest building a Model A or B Edison Home (as they're pretty cheap when found with 2m only gearing) and then put a C reproducer in with upgraded diaphragm. For a horn pick a nice morning glory Home horn, a full sized black & brass horn or brass concert horn, or ask David Zavracky here about the performance of Searchlight horns. Recordings made from the Searchlights in his collection sound quite nice.
Optimize the motor of the Home with leather belts, a new pulley (Ron Sitko had some turned aluminum ones, and Brian Parlier has his business now) and fresh governor springs--take the output shaft to a machinist & have it straightened as it's almost always a trifle bent, and then polish everything. Change the mainspring if it needs it. If the Home is a Model A then get replica rubber bumpers for the top casting & motor mounts, and of course change the feet of the machine. That will play any 2m record you get, look great, and leave your Amberola with the diamond reproducer.
I didn't mention an O reproducer and cygnet as this is a recipe to build a good player but keep costs down. Cygnets look like a million bucks & are priced accordingly--besides, not every case is drilled for the cygnet bracket, and why drill original cases.
The Diamond Amberolas were sold as the Next Big Thing in phonographs, and much of that is due to the diamond reproducers. Amberolas are some of my all-time favorite Edison phonographs and you will love yours.
And don't worry about the bad case; the bottoms can be replaced. Here's my Amberola 30--after I got it, a few years ago. The bottom rotted so badly that the front molding fell off. It'd been in water in Florida and had been home to roaches.
And here it is after restoration; I did end up replacing side & back veneers. Of course this room at the family house has been reorganized a few times & the Victor is now in storage and fitted with a morning-glory horn (that I should repaint.) But even a rotted-out Amberola case can be redone with the right woodworking skills.