I read between the lines that you run an unregistered business using unregistered names on a shoestring budget. That is all fine with me and I support that you enthusiastically dedicate yourself to your projects. But why do you cover up the facts? Why do you claim in public to have purchased the assets (which one??) of a non-existing company? Why do you call yourself "President" of such a company? Why do you make us believe you have a legal right to use such names? Why do you grant unsuspecting laymen the right to use historic names (at least you advised them to "double check" with more responsible parties)?edisonphonoworks wrote:At least it is kept in America, if I did not keep the name alive, here,it would be used by someone from china, or India. How come a mention of it now? I have used the name since the mid 1990s, it was New North American Phonograph Co., in 1996,a few years after I was out of high school. I will have several articles, in the newsletter" In The Groove." On cylinder record manufacture. I started a column in 1990 when I was 16 called "The Antique Phonograph Corner." in a small publication called "The Collector" until 1997. I am Not a colector,but rather a hands on recording engineer, and service man. I have about ten talking machines, and. They were all basket cases as I am not able to afford pristine machines. I have thousands of hours of time, making wax formulations, molding blanks, and recording cylinders, it is a hobby, on a shoestring budget. I do most of my work for artists,museums and movies, theme parks, and the recording industry. I only make blanks for collectors, not so much recordings.
Take my advice, drop your false claims and stick to "New North American Phonograph Co." and "Shawn Borri Phonograph Works". This makes good reading, does yourself justice, and at the same time doesn't muddy the waters for researchers and laymen who are interested in historical contexts and names, or intend to work with it.
