Re: Edison recommendation?
Posted: Sat Dec 10, 2011 12:43 am
I've got a 2M Gem with an odd 10 panel horn that's 23" long.
A 2/4M Standard with 11 panel cygnet horn ( normally used 10 panel cygnet but Australia only got 11 panel)
And a 2/4M Home with horizontal carriage for Diamond B reproducer. This one was minus a horn but I found a 12 panel Triumph horn cheap shortly after I got the machine, so I've used it for the last 25 years.
I know many people rave about how good the big 11 panel cygnets sound, but IMO the straight 12 panel horn sounds much better, which is why I've never downgraded to the correct 11 panel horn for my Home.
All these machines are Model B's.
My opinion is to forget about the little Firesides & Standards, and at least get a Home phonograph, or if you can stretch the budget, then go for a Triumph.
A standard with either type of 10 panel horn does sound quite acceptible for regular listening, but I find the Standard motors are quite noisy compared to the larger models, and they're boarderline for making recordings, as you can sometimes get slight speed variations occuring while cutting a record.
If you did decide on getting a Standard, then I'd agree with Martin & look for a Model D, preferably with a new bearing already installed. These sometimes turn up with attractively painted horns & a horizontal carriage, making them one of the best looking and sounding Standards you'll find.
The smaller machines with their 8 panel, or even worse, 14" witches hat horns sound appauling to me, like listening to a cheap transistor radio in a toilet, so for me, after 1 or 2 songs I"ve had enough & cant wait to turn it off
With a Home or a Triumph, fitted with the correct size horn, you can actually sit down & enjoy listening to cylinders, in much the same way as you'd enjoy listening to a Credenza for half an hour or more, where I find the smaller machines & horns for extended periods more like being tortured by a Mikiphone or kiddyphone.
The Home has the advantage of quieter & stronger motor, noticably improved sound quality with the larger horn, and it's a better machine for shaving (if applicable) & recording cylinders & the cabinet is only 4" wider than a Standard so it's larger footprint shouldn't be a problem.
The same things apply to a Triumph, except with it's 3 springs, you obviously get more cylinder plays per full wind, but they are also ideal for shaving & recording. The increased weight shouldn't really matter either, unless you intend moving it around a lot.
The great thing about whichever Edison you get, is that there's normally some options available to either improve performance &/or sound quality, so a humble 2M Standard can be upgraded with 2/4 min gearing, a horizontal carriage & Diamond B reproducer, and even a Music Master horn if you want, so it ends up sounding just as good as an Opera.
Ideally, I think anyone buying their first Edison should try and get a model that already has 2/4M gearing, a horizontal carriage & diamond B reproducer. That way, for around $200 you can get an adaptor ring & Model K reproducer, & you'll be able to play any standard size cylinder you find.
If you buy a 2M machine & want to fully upgrade it, the cost of dual gears (& in the case of a Home or Triumph, a whole new mandrel etc), a horizontal carriage, Diamond B & Model H reproducers, it may cost as much as $500-600 to do so. Buying a machine already with a large horn & suitable crane is generally more cost effective too.
If an open horn machine wasn't a priority, then I don't think you can beat an Amberola 30. They are very cheap, very compact, & although the horn is small, they dont have the horrible tinny sound of earlier models with a 14" horn, making them a joy to use & listen to. BA's are far more durable than wax records, and are generally cheap & plentiful, and you also have a much better & enjoyable time period & genre of music to choose from.
A 2/4M Standard with 11 panel cygnet horn ( normally used 10 panel cygnet but Australia only got 11 panel)
And a 2/4M Home with horizontal carriage for Diamond B reproducer. This one was minus a horn but I found a 12 panel Triumph horn cheap shortly after I got the machine, so I've used it for the last 25 years.
I know many people rave about how good the big 11 panel cygnets sound, but IMO the straight 12 panel horn sounds much better, which is why I've never downgraded to the correct 11 panel horn for my Home.
All these machines are Model B's.
My opinion is to forget about the little Firesides & Standards, and at least get a Home phonograph, or if you can stretch the budget, then go for a Triumph.
A standard with either type of 10 panel horn does sound quite acceptible for regular listening, but I find the Standard motors are quite noisy compared to the larger models, and they're boarderline for making recordings, as you can sometimes get slight speed variations occuring while cutting a record.
If you did decide on getting a Standard, then I'd agree with Martin & look for a Model D, preferably with a new bearing already installed. These sometimes turn up with attractively painted horns & a horizontal carriage, making them one of the best looking and sounding Standards you'll find.
The smaller machines with their 8 panel, or even worse, 14" witches hat horns sound appauling to me, like listening to a cheap transistor radio in a toilet, so for me, after 1 or 2 songs I"ve had enough & cant wait to turn it off

With a Home or a Triumph, fitted with the correct size horn, you can actually sit down & enjoy listening to cylinders, in much the same way as you'd enjoy listening to a Credenza for half an hour or more, where I find the smaller machines & horns for extended periods more like being tortured by a Mikiphone or kiddyphone.
The Home has the advantage of quieter & stronger motor, noticably improved sound quality with the larger horn, and it's a better machine for shaving (if applicable) & recording cylinders & the cabinet is only 4" wider than a Standard so it's larger footprint shouldn't be a problem.
The same things apply to a Triumph, except with it's 3 springs, you obviously get more cylinder plays per full wind, but they are also ideal for shaving & recording. The increased weight shouldn't really matter either, unless you intend moving it around a lot.
The great thing about whichever Edison you get, is that there's normally some options available to either improve performance &/or sound quality, so a humble 2M Standard can be upgraded with 2/4 min gearing, a horizontal carriage & Diamond B reproducer, and even a Music Master horn if you want, so it ends up sounding just as good as an Opera.
Ideally, I think anyone buying their first Edison should try and get a model that already has 2/4M gearing, a horizontal carriage & diamond B reproducer. That way, for around $200 you can get an adaptor ring & Model K reproducer, & you'll be able to play any standard size cylinder you find.
If you buy a 2M machine & want to fully upgrade it, the cost of dual gears (& in the case of a Home or Triumph, a whole new mandrel etc), a horizontal carriage, Diamond B & Model H reproducers, it may cost as much as $500-600 to do so. Buying a machine already with a large horn & suitable crane is generally more cost effective too.
If an open horn machine wasn't a priority, then I don't think you can beat an Amberola 30. They are very cheap, very compact, & although the horn is small, they dont have the horrible tinny sound of earlier models with a 14" horn, making them a joy to use & listen to. BA's are far more durable than wax records, and are generally cheap & plentiful, and you also have a much better & enjoyable time period & genre of music to choose from.