A red leather gilt HMV 101:
http://www.gramophones.uk.com/informati ... _101_.html
These are really quite beautiful in real life, as well as having the great sound of a common black 101.
Most that turn up are amazingly tatty. These have a kind of faded glory, which still appeals to many people. The best examples are another thing entirely: luxury, quality, beauty. They shine like a jewel.
Of course a large EMG or Expert machine would be nice, but I think some of Graham Rankin's modifications, especially those for reducing the number of sharp turns in the sound path, are useful, so maybe a modern hybrid would be best. I suspect we may not yet have heard the absolute best sounding acoustic gramophone!
Another problem with coveting an EMG as the ultimate in acoustic sound reproduction is the crackle on so many of our beloved British pressings from the EMI stable (HMV, post merger Columbia, etc etc). All the EMGs I have heard have reproduced this crackle far too well. Owners just get used to it, but for me it detracts from the music. It is nothing like the genuinely enjoyable experience of listening to a laminate or foreign pressing on one of these machines.