Re: New Cylinders from CLPGS
Posted: Sat Dec 07, 2013 6:56 am
Dear Dave
To be frank we haven't tried tone experiments of that type, as we have focused more on recording techniques, trying to get the best out of the source cylinders themselves. We have judged our success by ear, which is not very scientific but at least matches the way in which the bulk of users of the cylinders will listen to them. I don't know if Duncan Miller of Vulcan has done this with a view to seeing what he can get out of his masters, but I will ask him when I see him next.
From a quick look with a spectrum analyser during the recording process, in preparing the source sound for Vulcan to use to drive the cutter, we haven't been able to get above 5-6KHz from good condition/little played wax cylinders, perhaps a little bit more from electrically recorded blue Amberols. It would be interesting to look at the science a little bit more - have you done any research in to this, or looked at your or other recordings on a 'scope?
Regards
Keith
To be frank we haven't tried tone experiments of that type, as we have focused more on recording techniques, trying to get the best out of the source cylinders themselves. We have judged our success by ear, which is not very scientific but at least matches the way in which the bulk of users of the cylinders will listen to them. I don't know if Duncan Miller of Vulcan has done this with a view to seeing what he can get out of his masters, but I will ask him when I see him next.
From a quick look with a spectrum analyser during the recording process, in preparing the source sound for Vulcan to use to drive the cutter, we haven't been able to get above 5-6KHz from good condition/little played wax cylinders, perhaps a little bit more from electrically recorded blue Amberols. It would be interesting to look at the science a little bit more - have you done any research in to this, or looked at your or other recordings on a 'scope?
Regards
Keith