Re: My first Edison...Amberola 30
Posted: Sun Jul 11, 2010 11:06 am
I dont own one, but I believe another member (kiwi) has one. Perhaps he'll see this thread and post a couple pics.
https://forum.talkingmachine.info/
I can't find my copy of the Frow book, but I seem to recall that the NZ dealer built them himself and had to buy several 30's to use the top works. He was attempting to interest the Edison company in supplying him with the mechanisms alone so he could construct portables but they declined.gramophoneshane wrote:I thought they were produced at the Edison factory for export to NZ (much like the Amberola 80s made for the Australaisa market), but I really dont know for sure. The horn bell would have had to be modified (shortened) to fit the smaller cabinet, which seems like a big job for a dealer to pull off successfully. That would also mean the dealer cut down the entire front of the cabinet & lid?
gramophoneshane wrote:As estott stated, you'll find the speed control under the gear cover. It's a knurled wheel at the back of governor. This indicates it's a later model, and not an early model as stated above. Early models had the speed control protruding though the top of the gear cover, a nickel plated reproducer, and the ID tag was located in the horn compartment, at first on the right side & then on the left.
As far as I know, the ID tag was then moved to the left hand lid panel towards the front, before finally being attached to the bedplate, as on your example. The earliest 30s also had grille cloth, but these later machines did not.
They're a great little machine, and the second smallest cabinet model Edison ever produced- the smallest being a 30 variation in a slightly smaller cabinet with the word "Edison" spelled out in the grille, that was only sold in New Zealand . They're very reliable & they sound fantastic considering the size of the horn. You dont get the noisy gear problems that some of the earlier Amberolas have either.
Congrats!
estott wrote:There was a craze for Hawaiian music in the early 20th C. A troupe of Hawaiian musicians appeared at an exhibition around 1915 and their style of music plus the Ukulele and Slide Guitar started to become popular. Songs even reflected the craze: "Honolulu, America Loves You" says "In Boston where they eat those beans They know what yakka-hula means"
Brad, Most diamonds are between 1 and 3 billion years old, so you have nothing to worry aboutantique1973 wrote:........ I was wondering about the diamond
needle, does it wear out eventually? I am getting good sound from it if I
use a cylinder in good condition, but its kind of scary to think that the
needle may be 97 years old! .....
Brad wrote:Brad, Most diamonds are between 1 and 3 billion years old, so you have nothing to worry aboutantique1973 wrote:........ I was wondering about the diamond
needle, does it wear out eventually? I am getting good sound from it if I
use a cylinder in good condition, but its kind of scary to think that the
needle may be 97 years old! .....![]()
I have seen a few bad diamond tips, however, my experience is that they either look fine or are totally destroyed. Since they use diamonds to cut through stone, one would think that the hardness of the record surface would be no match for the hardness of the diamond.
I have often wondered if the destroyed diamonds were in fact flawed (cracked, impurities, chipped) at manufacturing time, but used anyway.
I get echos I noticed from time to time but like you are saying its mostly ongramophoneshane wrote:It was a trend that lasted well into the 1950s out here, but I dont know about other countries.
As far as the stylus goes, you'll know when it needs replacing because you'll start to hear an echo on most of your cylinders. Recordings of talking tend to echo a little with a good stylus though.