George,
I was just reviewing some older messages here and must have missed yours concerning the
Columbia AB.
What? Are you saying the
Columbia AB is not as rare as estimated by Howard Hazelcorn? I'm telling Howard!
First the stock market comes crashing down, now my "investments" in phonographs are coming down too?
Concerning your
Columbia AB shipping crate, if you need to make room in that beautiful upstairs phono-room or if your cellar is a bit full, I'm happy to take that AB shipping crate off your hands, you can just ship it collect to me as is, I'll call UPS or Fedex.

Ship it!
Concerning your pet peeve, calling the Columbia AB by the name of its designer, Thomas Macdonald, I agree. Macdonald never seems to get credit for the entire number of machines, reproducers, and myriad devices he designed and patented at the American Graphophone Company.
According to the Routledge Guide to Music Technology, the most prolific U.S. phonograph invention/design patentees from 1877 to 1912. Top three: Thomas A. Edison, 143,
Thomas H. Macdonald, 56, Eldridge R. Johnson, 54. Just for fun, some other popular names on the list include: Jonas W. Aylsworth, 38 (did so much for Tom but rarely credited) Charles Sumner Tainter, 25 Gianni Bettini, 14 Leon Douglass, 13 and at the bottom of the list John F. Ott and William W. Young each 10.
Like so many others, I too called the Columbia AB, the Macdonald. It never made sense to me that his name is associated with this then relatively low cost machine.
This reminds me of the great artist who was the first to perform "The Flying Trapeze"; he is better remembered for what he wore than his invention, the trapeze. Poor Jules Leotard. We should all learn more about Thomas H. Macdonald especially those interested in Columbia, American Graphophone and graphophones in general.
Have fun,
Jack
PhonoJack