Re: Phonospace (or, "Where's Waldo?)
Posted: Mon Apr 20, 2020 10:35 pm
NateO's collection is impressive for sure. A beautiful sort of home office setup--the Edison Home with cygnet, and the upright Victrola, are iconic machines.
And I am happy to say that I had the pleasure of seeing David (dzavracky) in his very large phonograph room, hearing some wonderful jazz recordings on the Brunswick Cortez, the B-250, and the Grafonola Favorite as well as some Edison Amberol and BA cylinders featuring the early artists at their best. After hearing the Cortez I am thoroughly impressed. It does not sound like a recording, but like a live band or orchestra. David's obscure jazz and excellent collection of classical records of the 1930s and '40s are well-served on a mighty instrument like that.
Though the collection can't compare with much of what appears here, and though these phonographs are not even all displayed right now, here is a group photo of the current collection: VV-XIV from 1914, Victor III, Columbia BN, Edison Fireside A (all 1909 models), third series 1920s Edison Amberola 30, and 1928-1933 Grafonola 202.
This isn't a phonospace specifically but I have had all these machines at one point or another working as daily runners. I guess the Victrola is kind of its own phonospace, and the portable Columbia makes anywhere I put it, also a phonospace. Not shown: 3 radios. (Anyone want old radios? Anyone? I'll trade.)
Grafonola 202--from gramophone-georg. It's original, it sounds great, and it's incredibly reliable. This one impresses non-collectors, and it is my go-to for all electrical recordings because nothing else I have sounds better on them.
Columbia BN--from Jerry B, purchased as project. A wonderfully difficult challenge and now very pretty.
Edison Fireside A--kind of a mutt really. Chris G told me about the elbow on Goodwill, DrH sold me a bell for it, and I bought the actual machine from 52089 who was selling it as a great fix-up project (which it was.)
And I am happy to say that I had the pleasure of seeing David (dzavracky) in his very large phonograph room, hearing some wonderful jazz recordings on the Brunswick Cortez, the B-250, and the Grafonola Favorite as well as some Edison Amberol and BA cylinders featuring the early artists at their best. After hearing the Cortez I am thoroughly impressed. It does not sound like a recording, but like a live band or orchestra. David's obscure jazz and excellent collection of classical records of the 1930s and '40s are well-served on a mighty instrument like that.
Though the collection can't compare with much of what appears here, and though these phonographs are not even all displayed right now, here is a group photo of the current collection: VV-XIV from 1914, Victor III, Columbia BN, Edison Fireside A (all 1909 models), third series 1920s Edison Amberola 30, and 1928-1933 Grafonola 202.
This isn't a phonospace specifically but I have had all these machines at one point or another working as daily runners. I guess the Victrola is kind of its own phonospace, and the portable Columbia makes anywhere I put it, also a phonospace. Not shown: 3 radios. (Anyone want old radios? Anyone? I'll trade.)
Grafonola 202--from gramophone-georg. It's original, it sounds great, and it's incredibly reliable. This one impresses non-collectors, and it is my go-to for all electrical recordings because nothing else I have sounds better on them.
Columbia BN--from Jerry B, purchased as project. A wonderfully difficult challenge and now very pretty.
Edison Fireside A--kind of a mutt really. Chris G told me about the elbow on Goodwill, DrH sold me a bell for it, and I bought the actual machine from 52089 who was selling it as a great fix-up project (which it was.)