CharliePhono wrote:I played a record for the 18-year-old son of a neighbor. He remarked, "That's crazy!" But, at the same time he had a look of wonderment on his face and was smiling the whole time. He never took his eyes off the record. I think "crazy" for him was a term of admiration.
Exactly right! I bet you that's what he was thinking. Nice of you to have demonstrated one of the phonographs. I've taught a few visitors how to start the motors and all that as well--they almost don't like touching them, almost like the phonograph is alive or sentient and responds only to its handler. I think most younger folks have a hard time imagining anything that old (and in the grand scheme of things, they're not that old really.)
Think about it. Imagine being 18, lived in a post-2000 world your whole life. To you, old music is Green Day or My Chemical Romance. Rock and roll is for Boomers, unless you consciously like "old music" and go around grooving to Steppenwolf. Depression is a serious mental health issue, not a period of economic downturn. Old technology is a corded pushbutton phone, or a CRT television. A real antique is a Toyota Corolla AE86 set up for drifting, a floppy diskette, a Salad Shooter, or one of those fish things from the '80s that sings "Don't worry, be happy." And then you see a windup phonograph.
It looks like the bastard love child of a casket and a coffee-grinder, heavier and bulkier than anything you expect to use. You've seen them in the background of a thousand video games. The music sounds a lot like the soundtrack from Cuphead, or from Fallout, or Bioshock Infinite. In that sense, it links your time, and a forgotten world. Something is making it work--it has a suspiciously small amount of actual mechanism; just a heavy-duty gearbox and a bathtub spout for a tonearm. You crank it. Nothing happens. You put a record on. Nothing happens. It starts spinning on its own. Controls are functional without the first bit of electricity...and then the music starts, loud music, music you can not only hear, but also feel the vibrations of. And the music itself: whatever is on those old heavy discs or wax cylinders, is a music foreign to your own world: instead of "The Black Parade" you have "Ready for the River," instead of Johnny Cash's take on "Foolish Questions" you have Billy Murray. Rather than Billie Ellish there is Ada Jones and Vesta Victoria; not Madonna, but Nora Bayes; no Lady Gaga, but Olive Kline and Elsie Baker.
Essentially, artifact value makes the phonograph seem like a sort of opening into another world. It is a tangible link with a past we will never live, but which we keep experiencing.
I guess in that sense it really would be "crazy."