Part 1 was the epic five and a half hour drive to the auction house to discover the highly rated cafe next door had just closed. I was hungry and incredibly thirsty by this time so this wasn't exactly ideal. The M6 was an ordeal I don't wish to be reacquainted with any time soon.
With the machine loaded up as you see, that was the end of Part 1. It didn't simply stay like that. I had a box of bubble wrap with me and several blankets and sleeping bags. With plenty of time on my hands by virtue of nowhere close by to grab a decent coffee, and only after meeting up with fellow collector, Adam, from this forum to hand-over some parts he'd bought from me as we'd pre-arranged to meet, I started the task of attempting to wrap and wedge the horn so it wouldn't move. It took about 45 minutes in all.
Part 2 was the shorter trip home of about three and a half hours using exactly the same route. Go figure! I only stopped briefly at Nantwich services to grab a coffee and a sandwich (not recommended). I arrived home about 10pm and unloaded the machine and horn before taking the van back to Stratford-Upon-Avon where I'd hired it from. Now just try to picture me carrying that horn in the dark up a narrow garden path, through some trees and through a pair of side doors. The bulb on my side security light had unhelpfully decided to stop working on this night so I was literally in the dark!!!! We don't have street lighting where I am and there is no "borrowed light" from neighbouring propertie either!
Anyway I'm pleased to say it all went well and the machine at least arrived home safely in the same condition it left in. I'm not so sure about me but that's another story and isn't important here!!
Somewhat oddly, every screw which holds the tone arm in place and the internal conduit is sadly missing because that was how Ian used the machine apparently. Graham has kindly agreed to help me fix this issue so I'm looking forward to getting that sorted very soon. The motor is loose and not secured either but none of these are particularly difficult things to fix.
The soundbox should normally be a 4 spring type, you are correct, but I, much like Ian evidently, prefer the two spring versions. I do have an earlier 4 spring "long bar" EMG soundbox but for some reason the rubber isolator doesn't quite grip the tonearm? I'm happy with the two spring anyway although it was slightly damaged when I collected the machine. Someone had unhelpfully knocked the stylus bar clean off of its mounting and bent the diaphragm end out of line in the process.
Fortunately I have fixed this temporarily but I will rebuild it again at some point to improve the soundbox further. It is an excellent performer but is quite obviously being held back at the moment. The horn and case are fabulous, surely as good an example as any in the world.
If you're still with me, thanks for reading this far!