Starkton wrote:It should be easy to compare the drawing with others showing Montross gramophones from 1897/98, for example concerning the shape of the funnel. Do you have any?
I only have access to a few papers, mostly lacking the advertising supplement. As you can see from the ads below, Seaman supplied several dozen dealers in New York City alone which brings me back to the question who manufactured the required machines. On the second ad the previously avoided term "Berliner" returns, though microscopically small. Perhaps George is right and Seaman bought from Emile Berliner again.
The first ad is from October, the second from December 1899, both from the New York Times.
"Perhaps George is right and Seaman bought from Emile Berliner again." I must have miss that.
Why is it so difficult to understand Seaman was a very savvy business man and promoter. This is a man who was the sole national (and some) wholesaler.
Seaman had been the sole supplier of the Gramophone since 1896, and therefore, already had several Christmas sales periods under his belt.
That, along with increasing sales (across the country and beyond), allowed him the knowledge of how many "units" he needed to have in stock to carry him up to Christmas and beyond.
Berliner ceased supplying seaman in October. Six weeks before Christmas.
Seaman would have already had his stock in hand. He would have needed the time to ensure "all" the retailers were stock to their roofs with the expectation of a banner Christmas rush. This means given the logistics of the day....time was needed. Not like today.
Retailers (even today), over order with the anticipation of fantastic sales. This, along withe Seaman's mastery of advertising and hype ads....I find it very easy to believe Seaman had ample stock on hand to carry his "retailers" into the new year and beyond.
Not to mention, stock on hand for defective "returns" and or parts, etc...
I believe, because of this large stock on hand and the knowledge he planed to introduce his own Zonophone in the near future, he reduced the price to $18 as a "push".
Seaman's agenda was to get his own machine out at a cheaper price, so he also did not want to get caught with any leftover stock of these "now" outdated model Gramophone's.
This would include "any and all" remaining models he had left over in his warehouse. This may have included unsold JS & Montross model's, etc....
As a master salesman, his thinking would have been..... better to cut your profit margin some, than lose all of it sitting in dead model's that you are no longer handling.
There was no need for him to have a "copy" Berliner made. In fact, just the opposite......"
get rid of them" would have been on his mind.
I would not be surprise that all the retailers were fully aware of the split between Berliner & Seaman.
In fact, I find the Meyer ad interesting and wonder why they were closing their "Olive St." location and consolidating into one location at N. Main St.
Were they downsizing in part due to the uncertain climate of supply..??. Or was this in order to have a larger location.
After Christmas, retailers are faced with a lull in sales, even today. The first few months of 1900 would have allowed Seaman time to clean house of whatever was left and in time to introduce his own model.
I also believe Meyers reused an old (2-3 years) eletro/engraving of a (possible) Montross in order to save on advertising costs and perhaps the knowledge the Gramophone was soon to be replaced. This could be proven if Meyer (later) used an image of a Zonophone.