Orthophonic alternatives
Posted: Thu Feb 28, 2013 2:05 am
I realized that my 'new' Credenza has a pre-1928-Recall tone-arm crook, so I've swiped the one from the other Credenza. That one has a later Ortho from a portable, which is semi-permanently affixed to the crook (with bath tub caulk, or something - I forget what I used! ) ... Anyway, inside the 'other' Cred there was an Audak Revelation Ultra soundbox attached to a nickel crook with an adapter.
I just played the same record with identical needles using each of the 3 assemblies, and was surprised to hear a big difference with the Audak - much louder bass notes, a "fatter" sound, but maybe at the expense of sparkling highs. The original (early, brass) Orthophonic on its original crook was very very good, but its highs seem to come at the expense of bass, which is adequate but thin. The later spiderless Ortho (from a portable 2-65) on its 'corrected' 1928 crook has the best, least distorted highs, but not the bass response of the Audak.
Has anyone else tried & compared the various electrical-era soundboxes (Victor, Brunswick, Columbia, Audak, etc) ? What were your conclusions?
ps - Moving the motor/turntable off-center, to the right, served to partially correct a tracking error on the earlier Orthophonics; changing the shape of the crook further corrected it. One thing I do NOT like about this Credenza X is the way the tone-arm cannot be moved completely away from the turntable - you must carefully slide records under the darned thing; if you forget & lift the record straight UP, good-bye record !
I just played the same record with identical needles using each of the 3 assemblies, and was surprised to hear a big difference with the Audak - much louder bass notes, a "fatter" sound, but maybe at the expense of sparkling highs. The original (early, brass) Orthophonic on its original crook was very very good, but its highs seem to come at the expense of bass, which is adequate but thin. The later spiderless Ortho (from a portable 2-65) on its 'corrected' 1928 crook has the best, least distorted highs, but not the bass response of the Audak.
Has anyone else tried & compared the various electrical-era soundboxes (Victor, Brunswick, Columbia, Audak, etc) ? What were your conclusions?
ps - Moving the motor/turntable off-center, to the right, served to partially correct a tracking error on the earlier Orthophonics; changing the shape of the crook further corrected it. One thing I do NOT like about this Credenza X is the way the tone-arm cannot be moved completely away from the turntable - you must carefully slide records under the darned thing; if you forget & lift the record straight UP, good-bye record !