Columbia Q queries
Posted: Mon Aug 07, 2017 7:01 am
In my search for a machine that would safely play brown-wax cylinders, I have just bought a Columbia Model Q dating, I believe, from 1901 or possibly late 1900. The serial number is 647122. The machine has a modern horn and I believe it lacks an embossed plate which should be mounted on the free end of the mandrel, but otherwise it seems to be a very good example; it runs well, with less motor noise than I would have expected, and the lid with its tiger-striped grain and exuberant banner makes my Edison Standard B look quite drab by comparison.
I wonder if anyone can help me with a couple of queries: –
1. Is there anything I can do to improve the reproducer? The bed of whitish compound on which the mica diaphragm rests has naturally hardened and cracked with time, and it seems to me that if I could manage to detach the diaphragm from this without damaging it, I could then easily replace the compound with something less inflexible; however, I did not wish to meddle without taking advice first. It does play, but the sound is exceedingly faint and desiccated even with my 24-inch horn; perhaps this is inevitable with such a light reproducer (besides, the cylinders are in rather poor condition), but I should naturally like to get better results if this is possible.
2. The machine seems to be incapable of running faster than 120 r.p.m.; any further adjustment of the screw merely allows the top of the brake/regulator lever to fetch up against the inner plate of the motor cage. This is a drawback, though a very slight one, since a few of my cylinders are of the 144-r.p.m. type. Is this limitation normal? I cannot see any way of adjusting the regulator. I do realise that this machine probably dates from before the 'high speed' cylinders were introduced, but I cannot help wondering if what I have got is actually one of the machines specially modified to play the slow-turning cylinders supplied with language courses. In that event I would have to assume that the wooden cover has been cannibalised from another machine, since I understand that 'Linguaphone' machines had their own specific pattern of label.
I shall be grateful for any comments. Images are below.
Oliver Mundy.
I wonder if anyone can help me with a couple of queries: –
1. Is there anything I can do to improve the reproducer? The bed of whitish compound on which the mica diaphragm rests has naturally hardened and cracked with time, and it seems to me that if I could manage to detach the diaphragm from this without damaging it, I could then easily replace the compound with something less inflexible; however, I did not wish to meddle without taking advice first. It does play, but the sound is exceedingly faint and desiccated even with my 24-inch horn; perhaps this is inevitable with such a light reproducer (besides, the cylinders are in rather poor condition), but I should naturally like to get better results if this is possible.
2. The machine seems to be incapable of running faster than 120 r.p.m.; any further adjustment of the screw merely allows the top of the brake/regulator lever to fetch up against the inner plate of the motor cage. This is a drawback, though a very slight one, since a few of my cylinders are of the 144-r.p.m. type. Is this limitation normal? I cannot see any way of adjusting the regulator. I do realise that this machine probably dates from before the 'high speed' cylinders were introduced, but I cannot help wondering if what I have got is actually one of the machines specially modified to play the slow-turning cylinders supplied with language courses. In that event I would have to assume that the wooden cover has been cannibalised from another machine, since I understand that 'Linguaphone' machines had their own specific pattern of label.
I shall be grateful for any comments. Images are below.
Oliver Mundy.