Homemade Exponential Horn Project
Posted: Thu Jun 10, 2021 12:19 pm
Last summer, I asked a few questions about exponential horn design and construction for a homemade EMG copycat, and as I have finally begun construction of the horn, I thought I would post a follow-up to my previous topic. (Pictures are included below.)
I settled on a two-piece question mark-shaped horn (similar to EMG's Export machines) with a 100 Hz. cut-off frequency and approximately 27” mouth, HMV re-entrant style tone-arm (as used on the 130, 163, etc.), and portable Orthophonic soundbox—the mouth is smaller than Modern Gramophones says it should be for the rate of taper, but I’ve read that placing a large horn in a small room or in a corner enables the mouth to be made smaller without significantly altering the frequency response—and as my room is fairly small, a corner is probably the only reasonable place to put the finished horn, so the smaller mouth should work, at least in my current circumstances.
Following forum member Lucius1958’s suggestion from my earlier topic, I made a sectional former from Styrofoam, coated with shellac for smoothness, which meant that I spent most of my spare time last semester cutting, sanding, and gluing the pieces of the former (then sanding, gluing, and sanding again, and again, and again…); but the method does seem to be working. So far, I have successfully extracted the first and second sections of former from the horn using a mallet and a sort of Lego ramrod-thing, and have begun papering the third section—although removing this part of former will be probably be the hardest; it’s the longest curved section, and I had to design a ram-rod with two joints in it, so that it could reach around the first bend without becoming wedged in the horn!
I have about three layers (six sheets) of paper on the large bend right now, and plan to remove the former when I have about ten layers, then fasten the wood ring that will join the “neck” portion to the mouth, before adding another ten layers—it isn’t a quick process, although the horn is long enough now that by the time I’ve added a whole layer, the end where I started is just about dry enough to start the next. I can probably add another layer or two to-day, so if I can keep up a rate of two or three layers per day, I should be able to remove the next section former in a few days.
I settled on a two-piece question mark-shaped horn (similar to EMG's Export machines) with a 100 Hz. cut-off frequency and approximately 27” mouth, HMV re-entrant style tone-arm (as used on the 130, 163, etc.), and portable Orthophonic soundbox—the mouth is smaller than Modern Gramophones says it should be for the rate of taper, but I’ve read that placing a large horn in a small room or in a corner enables the mouth to be made smaller without significantly altering the frequency response—and as my room is fairly small, a corner is probably the only reasonable place to put the finished horn, so the smaller mouth should work, at least in my current circumstances.
Following forum member Lucius1958’s suggestion from my earlier topic, I made a sectional former from Styrofoam, coated with shellac for smoothness, which meant that I spent most of my spare time last semester cutting, sanding, and gluing the pieces of the former (then sanding, gluing, and sanding again, and again, and again…); but the method does seem to be working. So far, I have successfully extracted the first and second sections of former from the horn using a mallet and a sort of Lego ramrod-thing, and have begun papering the third section—although removing this part of former will be probably be the hardest; it’s the longest curved section, and I had to design a ram-rod with two joints in it, so that it could reach around the first bend without becoming wedged in the horn!
I have about three layers (six sheets) of paper on the large bend right now, and plan to remove the former when I have about ten layers, then fasten the wood ring that will join the “neck” portion to the mouth, before adding another ten layers—it isn’t a quick process, although the horn is long enough now that by the time I’ve added a whole layer, the end where I started is just about dry enough to start the next. I can probably add another layer or two to-day, so if I can keep up a rate of two or three layers per day, I should be able to remove the next section former in a few days.