I went through this experience a number of years ago. Luckily I had friends in Poland - will explain why this is necessary in a moment.Jerry B. wrote:Bruce, How difficult would it be to take the machine out of Poland? When we visited, I got the impression that it was very difficult to remove antiquities because Poland had been pillaged many times in history and authorities were reluctant to give up historical items. Jerry B.
A number of forms had to be filled in for the Ministry of Culture, with details of the item and the PRICE. I had bought in a second hand shop a very nice brass horn with art nouveau decorations before being told of the requirement that items made before 1945 required permission to be exported out of Poland. The horn had cost around $35 and was dark brown with age. So I left the horn with friends while the paper-chase was in progress. The ministry also thought, like the vendor that it was junk and approved the export. I forget what it cost to get permission!
current scenario:
Buy machine - try export with no permission - get stopped at the border - loose machine
Buy machine - pay for machine - try get permission - culture ministry sees price - assume that it must be of cultural importance - you have now donated a machine to the Technical Museum.
And where will the machine reside while you are getting permission. The vendor has his money, and may have your machine in "storage" in perpituity if you cannot get permission to export.
Hence the advantage of friends where after purchase the machine could be stored and if worst comes to the worst part of your collection is in Poland!
I think the machine is somewhere between very over restored and a Frankenphone. With one zero less I would be tempted. 14K is very unrealistic.
If it was made for the Czar, it would not be pictured in a general catalog. There were many manufacturers making fancy cases in europe.