The past few months--in which I have been able to combine a couple of Larry Hollenberg's "True Tone" diaphragms with reproducers w/good original styli--has resulted in my giving around 95% of my listening time to Diamond Discs via my Schubert Edisonic. The quality of the recordings is a revelation--even records from the 1916-1918 period can be satisfying. The best I can describe it is a kind of "monorail stereo" effect: the various instruments sit on the same acoustic plain, as it were--but each retains its own unique tonality.
Anyway, just wanted to give a shout-out to the Diamond Disc and resurrected this thread to do it.
Ralph