You're really stretching what I have written *way* over what I have actually written. And perhaps also over the subject of this topic.Starkton wrote:And that's my point. While there is an EMI archive and everybody seems to believe that "HMV" is well researched, collectors everywhere know very little about what was going on outside
As a matter of fact Senior Monarchs are sought after, and in my opinion this is mostly (or partly) due to the fact that it's very easy to find information about HMV models and products range. And this information is available on the internet, for free: newbyes don't even need to select and purchase a book. An intelligent man/women, perhaps already accustomed to collecting, can acquire in 2-3 hours of free readings a basic knowledge of HMV's models (which were the entry-level ones, and which were the top), a gross estimate of their value on the market, and rudimentary skills on how to avoid counterfeit items. But preminently he/she will very clearly understand that HMVs are highly collectible gramophones that will never loose their value. The same thing is perhaps true about Columbias, Zonophones, Pathés, but it's just not as easy to find, read and grasp. It's enough to decide that you will begin with an HMV, at least in my opinion.
Indeed they would, but to what end? There is virtually no italian Monarch available on the market. And even if information about italian Monarchs would be easily and widely available, still there would be no gramophones to buy. So, after having searched high and low for a while, I figure people would finally purchase the same ol' british or german HMV Monarch. Just as I did, by the way.Steve wrote:I'm sure most collectors would rather salivate over pictures of early Spanish and Italian "Monarchs" than the seemingly endless parade of Victrola styled table and cabinet models?