vic-b wrote:
There are many things wrong with the reproducer that is on the "D," not the least of which is the incorrect engraving, incorrect needle bar, incorrect tension ring holding the diaphragm, and incorrect area where the screws hold the needle bar onto the reproducer.
Best,
Jeff
No argument from me that the sound box on the Zono D differs from the originals that I own, have examined, and/or photographed, and from every reproduction I've ever seen (I'm familiar with Mirek's and Justin's, as well as others). But to "differ" does not necessarily mean it's "incorrect." I'm certainly not claiming the sound box on the D is original, but just because we've never seen one like it doesn't automatically mean it's a reproduction. I've been collecting for 48 years, but I still don't think I've "seen it all."
gramophone78 wrote:Here is a pic of the one on the D in question. To me, the body doesn't even seem nickel plated, but rather aluminum.
Certainly does not match the other nickel parts on the machine.
Also agreed, but I'm not prepared to pass final judgement based on photos of that quality. The bezel looks like shiny brass, and as Jeff points out, there are differences between this sound box and known production examples. If it weren't for the engraving, I'd be far more skeptical. But at this point I lack reliable data. I'd like to see a couple of good-quality photos of this sound box (or better yet - see it in person!) before immediately writing it off.
Would I bid on this machine under the presumption that the sound box is original? Absolutely not. Where my wallet is concerned, I'd need to bid as though it's a reproduction. But as an historian, I cannot conscientiously pronounce a poorly-photographed item a "reproduction" simply because I've never seen another one like it. Further investigation is called for. This is merely a difference in philosophy.
George P.