I noticed the gray also. They must be factory-new. Also it's also interesting to me to compare the size of the horn doors (and thus the horns) on the earlier XI compared to the larger ones on my 1917 XI.Kirkwood wrote:Gotta say I love these pics of store interiors, especially if Victrolas or phonographs are involved.
Looking at these Victrolas, I noticed that all of the Exhibition reproducers have rubber flanges that look light (gray?) in color. I had always assumed that this was the result of oxidation of the natural rubber that they used. But these are all fairly new machines here, so it would seem that any oxidation wouldn't have had time to happen yet. Was this gray color a paint or sealer that Victor applied at the factory? Or are we seeing a distortion brought on by the photographic process? Just curious....
As a dedicated amateur (and sometime semi-pro) photographer, I appreciate the incredible tonal range and sharpness of the image. That's almost certainly an 8"x10" contact print from a glass-plate negative. IMO, considering the results, there really has not been significant, basic improvement in black-and-white chemistry in 100 years, when you look at pictures like this one! You can almost read the fine print on the April 1914 record list on the back wall!
(BTW, the link in Mark's post shows the exterior [and one interior] of Hawley's store in 1914 also, acc. to the info. on the page.)