Has anyone made or had made a quality reproduction mahogany case for, say, any of the Edison models, keeping the original oak case in "case" you decide to sell it later.
i was thinking in this "case" of a Fireside.
Comments invited.
I hear you, and I wouldn't doubt these sorts of machines are already out there. If someone is going to be a scammer about these things, if they can't scam this, they'll scam something else.Jerry B. wrote:I'll answer your question with another question. I have a friend that had a Gem with no lid. He's an outstanding wood worker with professional skills and he asked to borrow a lid from a like model Gem. I was glad to accommodate his wishes and loaned him a lid from one of my Gems. Months later when I visited his home, he showed my his replica Gem lid. It was spot on perfect. There is no doubt in my mind that future owners of that Gem will never suspect that the lid is a replacement. I don't remember if his Gem was missing the base as well as the lid. But I do remember thinking that as long as you are creating a perfect replica lid and possibly a base, why not make it out of mahogany.
Was I wrong?
I would probably have stamped "REPLICA MADE FOR JERRY BLAIS" somewhere on the inside. The risk is a dishonest reseller sanding off the replica information.
A replica oak lid and base is nothing more than a reasonable effort to restore a machine. The manufacture of a mahogany base and lid really creates a ton of muddy water. That's because a nicely refinished Gem B is worth on either side of $400 while a mahogany Gem B, even with a refinished case, is worth a bunch more. The commissioning of mahogany parts is really part of a fraud even though it might be unintended.
What would you do?
Does anyone want to estimate what a mahogany Gem in good original condition is worth?
I would love to see other opinions on this.
Great thread!![]()
Jerry Blais
we have all used repro/replacement parts to finish projects,the only problem is when the repro is passed off as original.there are a lot of dishonest people out there but ,how i wish that i had the skills to make new cabinets/horns etc.i have two of eduardos' spearpoint horns mahogany and oak they really are superb copies.gramophone-georg wrote:I hear you, and I wouldn't doubt these sorts of machines are already out there. If someone is going to be a scammer about these things, if they can't scam this, they'll scam something else.Jerry B. wrote:I'll answer your question with another question. I have a friend that had a Gem with no lid. He's an outstanding wood worker with professional skills and he asked to borrow a lid from a like model Gem. I was glad to accommodate his wishes and loaned him a lid from one of my Gems. Months later when I visited his home, he showed my his replica Gem lid. It was spot on perfect. There is no doubt in my mind that future owners of that Gem will never suspect that the lid is a replacement. I don't remember if his Gem was missing the base as well as the lid. But I do remember thinking that as long as you are creating a perfect replica lid and possibly a base, why not make it out of mahogany.
Was I wrong?
I would probably have stamped "REPLICA MADE FOR JERRY BLAIS" somewhere on the inside. The risk is a dishonest reseller sanding off the replica information.
A replica oak lid and base is nothing more than a reasonable effort to restore a machine. The manufacture of a mahogany base and lid really creates a ton of muddy water. That's because a nicely refinished Gem B is worth on either side of $400 while a mahogany Gem B, even with a refinished case, is worth a bunch more. The commissioning of mahogany parts is really part of a fraud even though it might be unintended.
What would you do?
Does anyone want to estimate what a mahogany Gem in good original condition is worth?
I would love to see other opinions on this.
Great thread!![]()
Jerry Blais
Anyone who can reproduce these cabinets exactly probably wants to brag on themselves a little rather than try to claim it as an original, to be sure... and with damn good reason, too. If we are going to worry about what someone else is going to do with our machines after we're gone or move them on we'd all better stop ALL repairs, restorations, use of repro parts, etc., right?
On a similar note, have you seen Eduardo of Peru's Vic VI cabinets and stands? To die for, just like his spearpoint horns.
Jerry B. wrote:maybe I should place one of my business cards inside the case with a list of details about the work I've done to a machine. Is this a good idea? I wonder how long it would stay with the machine.
You should do it just so you can remember yourself... you've had a LOT of machines! I may do it just for this reason.Jerry B. wrote:When I am offering a machine for sale I try to honestly answer any and all questions as well a pointing out replacement parts. When asked about a finish being original or not, I answer honestly. If refinished I thank them for the compliment because that is exactly what it is.
At shows I have been asked by friends for my opinion about various machines. I answer to the best of my ability by pointing out details I see. The finish of a machine is frequently the point in question. I have been amazed that, after pointing out an accurate refinishing and a purchase is made that after some time, the new owner conveniently forgets the details. I have heard comment like "I really don't know if the finish is original but it sure looks good with my record cabinet". I can only surmise that once a purchase is made, they really prefer to overlook the true details.
It never occurred to me but maybe I should place one of my business cards inside the case with a list of details about the work I've done to a machine. Is this a good idea? I wonder how long it would stay with the machine.
Jerry Blais