Snowball wrote:Henry wrote:Ditto what the others have said about your "new" machine! It looks to be in great condition. With a rebuilt and adjusted sound box, it should sound great too.
From the link above, it would appear that the XVI went through more radical cabinet design changes than most, if not all other, Victor models.
It's a bit difficult for me to tell from the photos but, assuming that the casters are present under each leg, be cautioned that rolling these heavy objects across wood floors will surely gouge the floor, and make you most unhappy. I've placed teflon pads under each leg of my XI, allowing the machine to slide much more easily across the floor, without denting the wood.
Enjoy your new toy, and remember to change needles after every play!
It is funny you mentioned that because it came with 3 in tact castors and 1 broken one. I went ahead and removed all of them because even the 3 'good' ones were in bad shape. After removing them I went ahead and put felt pads on the bottom of the legs.
You also bring up a good point about needles. I know that they should be changed often, but exactly how often and where is a good reputable place to order replacements?
I change steel needles after each play of one 12" record side, and usually after each play of a 10" record, although I've been known to stretch the latter by another play of a 10" record side

Under no circumstances would I play more than two record sides without changing the needle.
Steel needles are available in soft, medium, and loud varieties (increasing diameters of needles increases their output volume, with soft having the smallest diameter and large the loudest). I have found that soft-tone needles are best for all-around playback, with occasionally a medium-tone for early acoustic recordings. Electrical recordings played on acoustic machines of the vintage of yours and mine, if played with loud-tone needles, will blast you out of the room while noticeably distorting the sound quality. On a rebuilt Exhibition sound box with fresh, pliable front gaskets and new back gasket, new mica diaphragm, if needed, and carefully adjusted Exhibition sound box, soft-tone needles would be my first choice. (BTW, I notice that in your photographs the sound box has a fibre needle; this type is not commonly available now, but there are those who use them and I'll let them speak to that topic.)
Some years ago I purchased 5,000 Bry-O-Phonic brand soft-tone steel needles from Martin Bryan, d/b/a The New Amberola Phonograph Co., 213 Caledonia St., St. Johnsbury, VT 05819-2477, ph. 802-748-9264. I do not know whether this source is still viable, however. Others on the board will surely chime in with more sources. Also try the Antique Phonograph Supply Co. (
http://www.antiquephono.com/), Victrola Repair Service (
http://www.victrolarepairservice.com/index.html), Wyatt's Musical Americana (
http://www.wyattsmusical.com/), among others. Good luck with your new machine!