Jonsheff wrote:I need to stick to Victrolas, my specialty, especially the 16s & 17s. I love working on those machines, as of now i have three 17s and four 16s, i had four 17s but just sold one Monday. I also have 4-5 assorted assorted 100s & XIs i was planning on restoring but don't want to put the time into at this point., I am not really into the external horn Victors and really don't know why i even bid on it. Better i leave the Victors to you collectors.
Actually,
genuine Victor Talking Machines are relatively easy to spot, once you become familiar with the product line. They share the same high quality components and cabinetry workmanship as the Victrolas. As with Victrolas, (most of) the various models are marked with an ID plate containing the model and serial numbers. There are other similarities such as the motors used, as well as the sound boxes and the position of the tonearm's crook.
The oft referred to Victor Victrola page --
http://www.victor-victrola.com/ -- is a good place to start.
(This page lists most of the Victor outside horn models, as well as Victrolas:
http://www.victor-victrola.com/new_page_2.htm )
Another excellent reference is Robert Baumbach's "Look for the Dog" which is available from a number of online sellers --
http://www.mulhollandpress.com/styled-5 ... index.html
Of the six most
commonly found outside horn Victor models, -- I, II, III, IV, V, and VI -- only two were fitted with mahogany cabinets, the Victor IV and the Victor VI. (The Victor V
was available in mahogany very late in its production, but these are extremely rare.) The rest --I, II, III, V-- were available in high quality quarter-sawed oak cabinets.
The nice thing about the outside horn models is that they tend to retain and even escalate in value over the years. Also, they pump out a tremendous sound compared to the smaller Victrola models of the period.
HTH,
OrthoFan