WOW!!! The doll looks extremely good after a much needed facelift... that has to give you a great deal of satisfaction...
https://www.google.com/imgres?imgurl=ht ... egUIARDpAQ
What was your most difficult restoration?
- Curt A
- Victor Monarch Special
- Posts: 6851
- Joined: Fri Jul 09, 2010 8:32 pm
- Personal Text: Needle Tins are Addictive
- Location: Belmont, North Carolina
Re: What was your most difficult restoration?
"The phonograph is not of any commercial value."
Thomas Alva Edison - Comment to his assistant, Samuel Insull.
"No one needs a Victrola XX, a Perfected Graphophone Type G, or whatever you call those noisy things."
My Wife
Thomas Alva Edison - Comment to his assistant, Samuel Insull.
"No one needs a Victrola XX, a Perfected Graphophone Type G, or whatever you call those noisy things."
My Wife
- pellicano1
- Victor II
- Posts: 486
- Joined: Thu Aug 24, 2017 6:59 pm
- Personal Text: The Phonograph Stop
- Location: Southern New Jersey
- Contact:
Re: What was your most difficult restoration?
Thanks!! The first go at it her face was a bit too orange-ish. Corrected this morning to the wife's delight lol. I'm very happy with her!Curt A wrote:WOW!!! The doll looks extremely good after a much needed facelift... that has to give you a great deal of satisfaction...
https://www.google.com/imgres?imgurl=ht ... egUIARDpAQ
I have not failed. I've just found 10,000 ways that won't work.
Thomas A. Edison
Thomas A. Edison
- mattrx
- Victor IV
- Posts: 1162
- Joined: Wed Oct 12, 2011 9:55 am
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Re: What was your most difficult restoration?
viewtopic.php?f=2&t=11685
This (above link) has to be my most difficult restoration. The XVIII was in many pieces, had the wrong motor, horn and tone arm, and had one side partially stripped. With the help and advice of a number of forum members, a nice looking machine emerged. This is one machine I wish I had kept just due to all the work involved. A few years later, however, I found a very nice untouched (and undamaged) example that I have held on to. Three lessons learned. Hard work pays off. Patience also pays off. The members of this forum are generally helpful and generous with their knowledge and sometimes the needed parts. Again, wish I had kept this machine.
Matt
This (above link) has to be my most difficult restoration. The XVIII was in many pieces, had the wrong motor, horn and tone arm, and had one side partially stripped. With the help and advice of a number of forum members, a nice looking machine emerged. This is one machine I wish I had kept just due to all the work involved. A few years later, however, I found a very nice untouched (and undamaged) example that I have held on to. Three lessons learned. Hard work pays off. Patience also pays off. The members of this forum are generally helpful and generous with their knowledge and sometimes the needed parts. Again, wish I had kept this machine.
Matt
- Curt A
- Victor Monarch Special
- Posts: 6851
- Joined: Fri Jul 09, 2010 8:32 pm
- Personal Text: Needle Tins are Addictive
- Location: Belmont, North Carolina
Re: What was your most difficult restoration?
Matt, thanks for bringing this restoration back to my attention. I had forgotten it, but apparently read it in 2015. I re-read the entire post and really enjoyed looking at the complete process, from junk machine to back from the dead... It turned out really great and goes to show that nothing is un-restorable if you put your mind to it...
If anyone else has had success in restoring hard projects, please post them...
If anyone else has had success in restoring hard projects, please post them...
"The phonograph is not of any commercial value."
Thomas Alva Edison - Comment to his assistant, Samuel Insull.
"No one needs a Victrola XX, a Perfected Graphophone Type G, or whatever you call those noisy things."
My Wife
Thomas Alva Edison - Comment to his assistant, Samuel Insull.
"No one needs a Victrola XX, a Perfected Graphophone Type G, or whatever you call those noisy things."
My Wife
- Django
- Victor IV
- Posts: 1701
- Joined: Thu Apr 13, 2017 7:31 pm
- Location: New Hampshire’s West Coast
Re: What was your most difficult restoration?
I apologize in advance to anyone tired of seeing this machine, but it fits the description of the post. It was my most difficult because it was so rough and because parts are nearly impossible to find. I also tried to leave it as original as possible while wanting it to be functional and presentable. The soundbox is rebuilt and polished, but not replated. The name tag received careful reshaping and minimal touch up. Some parts needed to be plated. The parts that I reproduced were made of the correct materials and the traveling arm itself is made from part of a sheet music stand trom the early part of the 20th century. I do want to thank fellow forum members for their help which made the restoration possible. Here are some before and after pictures. The traveling arm and hardware were reproduced by me along with the spring barrel and some motor parts. Having invested so much of myself into the restoration also made it the most rewarding and my favorite machine.
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- Zwebie
- Victor IV
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- Personal Text: We are only the caretakers for future generations.
- Location: FLORIDA
Re: What was your most difficult restoration?
John, That was a Rough One, but you did a Wonderful Restoration!I apologize in advance to anyone tired of seeing this machine, but it fits the description of the post. It was my most difficult because it was so rough and because parts are nearly impossible to find. I also tried to leave it as original as possible while wanting it to be functional and presentable. The soundbox is rebuilt and polished, but not replated. The name tag received careful reshaping and minimal touch up. Some parts needed to be plated. The parts that I reproduced were made of the correct materials and the traveling arm itself is made from part of a sheet music stand trom the early part of the 20th century. I do want to thank fellow forum members for their help which made the restoration possible. Here are some before and after pictures. The traveling arm and hardware were reproduced by me along with the spring barrel and some motor parts. Having invested so much of myself into the restoration also made it the most rewarding and my favorite machine.
Here's one that I restored for a local museum, that you have probably seen in my post: viewtopic.php?f=2&t=31009&hilit=+restoration
Cheers, Bob S.
- Curt A
- Victor Monarch Special
- Posts: 6851
- Joined: Fri Jul 09, 2010 8:32 pm
- Personal Text: Needle Tins are Addictive
- Location: Belmont, North Carolina
Re: What was your most difficult restoration?
John, what's to be tired of? It's a great restoration, from string wind to beautiful...
Bob, yours looks amazing, as well...
Bob, yours looks amazing, as well...
"The phonograph is not of any commercial value."
Thomas Alva Edison - Comment to his assistant, Samuel Insull.
"No one needs a Victrola XX, a Perfected Graphophone Type G, or whatever you call those noisy things."
My Wife
Thomas Alva Edison - Comment to his assistant, Samuel Insull.
"No one needs a Victrola XX, a Perfected Graphophone Type G, or whatever you call those noisy things."
My Wife
- Django
- Victor IV
- Posts: 1701
- Joined: Thu Apr 13, 2017 7:31 pm
- Location: New Hampshire’s West Coast
Re: What was your most difficult restoration?
Bob, your restoration of that machine was first rate. You also provided me with the crank for my Berliner and John Duffy did a great job reshaping the horn. Thank you for the kind words about my little Canadian Berliner.Zwebie wrote:John, That was a Rough One, but you did a Wonderful Restoration!I apologize in advance to anyone tired of seeing this machine, but it fits the description of the post. It was my most difficult because it was so rough and because parts are nearly impossible to find. I also tried to leave it as original as possible while wanting it to be functional and presentable. The soundbox is rebuilt and polished, but not replated. The name tag received careful reshaping and minimal touch up. Some parts needed to be plated. The parts that I reproduced were made of the correct materials and the traveling arm itself is made from part of a sheet music stand trom the early part of the 20th century. I do want to thank fellow forum members for their help which made the restoration possible. Here are some before and after pictures. The traveling arm and hardware were reproduced by me along with the spring barrel and some motor parts. Having invested so much of myself into the restoration also made it the most rewarding and my favorite machine.
Here's one that I restored for a local museum, that you have probably seen in my post: viewtopic.php?f=2&t=31009&hilit=+restoration
Cheers, Bob S.
Stay well,
George