Most Harmonys are acoustically recorded. Boxy they are but good for acoustically recorded.SteveM wrote:Wolfe wrote:I've been a Viva-Tonal fan. The sound of some of them. Don't know what that something is since in the 20's they were using Western Electric recording gear, same as Victor. Victors to me tend toward a "dryer" sound and better bass. But Columbias of the period have that midrange presence.
Indeed, I think I've heard it sometimes described as "boxy"(or maybe that's Harmony ... hmmm) ... definitely its own unique qualities. Yes, midrange!
12" Columbia Viva-tonal records. Wow!
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Re: 12" Columbia Viva-tonal records. Wow!
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Re: 12" Columbia Viva-tonal records. Wow!
Indeed exceptionally well recorded, and unbelievably silent!Orchorsol wrote:This could well be mine! https://www.youtube.com/watch?v=oV6o9NiY4nISteveM wrote:Does anybody have a favorite 12" Viva-tonal?
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Re: 12" Columbia Viva-tonal records. Wow!
The lead photo is excellent! Could be made into a poster.
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Re: 12" Columbia Viva-tonal records. Wow!
I look out for Percy Grainger records too!SteveM wrote:It's so funny that we both had a post about Percy Grainger! I now need to find out much more about him!marcapra wrote:Yes Columbia records can sound great. See my post on the Walter Piston quartet! And it has Percy Grainger playing piano! He's quite a composer in his own right.
And I agree about the photo in your first post Steve - terrific. The UK issue of Clair De Lune has Grainger playing Debussy's Toccata on the other side - does it on yours? That's another favourite of mine - a ferocious performance.
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Re: 12" Columbia Viva-tonal records. Wow!
SteveM wrote:
Interesting. I have a UK set that I *think* may be of similar vintage (hmmm ... I could be wrong though). The Viva-tonal (on the right) is 1.5 ounces heavier. Noticeably the heaviest record I own. Just a beast!
The laminated English Columbias pre-date the merger with Gramophone which resulted in the EMI company in 1931. From that time on, the lamination process was abandoned and all records, whether with Columbia or HMV labels, were pressed with the pre-merger Gramophone process. The shellac mix that they used was poor, which resulted in noisy background to most records, unfortunately. I think all pre-merger Columbia records had black labels, so what you have in the photo is a normal pressing, not laminated.
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Re: 12" Columbia Viva-tonal records. Wow!
I found the disc and uploaded the Toccata side: https://www.youtube.com/watch?v=upgiKhjYNqY (unfortunately the Clair De Lune side is a slight swinger / eccentric pressing, and with its slower, more sustained notes the pitch variation is unpleasant).Orchorsol wrote:I look out for Percy Grainger records too!SteveM wrote:It's so funny that we both had a post about Percy Grainger! I now need to find out much more about him!marcapra wrote:Yes Columbia records can sound great. See my post on the Walter Piston quartet! And it has Percy Grainger playing piano! He's quite a composer in his own right.
And I agree about the photo in your first post Steve - terrific. The UK issue of Clair De Lune has Grainger playing Debussy's Toccata on the other side - does it on yours? That's another favourite of mine - a ferocious performance.
BCN thorn needles made to the original 1920s specifications: http://www.burmesecolourneedles.com
Youtube channel: https://www.youtube.com/channel/UCe4DNb ... TPE-zTAJGg?
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Re: 12" Columbia Viva-tonal records. Wow!
orchorsol: the sound is incredible... But I've also listened to your other videos, and I'm astonished with the quality of the acoustic Columbia sides of Pau Casals playing the Bach pieces... They sound as electrical. It's clear that some engineers mastered the technique of acoustic recording, producing incredibly good recordings, very pleasant. Sometimes I marvel at how good some of them sound in a good gramophone.
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Re: 12" Columbia Viva-tonal records. Wow!
Thanks Inigo! Yes, some of the acoustic recordings are just stunning when heard well.Inigo wrote:orchorsol: the sound is incredible... But I've also listened to your other videos, and I'm astonished with the quality of the acoustic Columbia sides of Pau Casals playing the Bach pieces... They sound as electrical. It's clear that some engineers mastered the technique of acoustic recording, producing incredibly good recordings, very pleasant. Sometimes I marvel at how good some of them sound in a good gramophone.
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Re: 12" Columbia Viva-tonal records. Wow!
Orchorsol wrote:I look out for Percy Grainger records too!SteveM wrote:It's so funny that we both had a post about Percy Grainger! I now need to find out much more about him!marcapra wrote:Yes Columbia records can sound great. See my post on the Walter Piston quartet! And it has Percy Grainger playing piano! He's quite a composer in his own right.
And I agree about the photo in your first post Steve - terrific. The UK issue of Clair De Lune has Grainger playing Debussy's Toccata on the other side - does it on yours? That's another favourite of mine - a ferocious performance.
Thanks very much and yes! And wow. The EMG brings out tones I didn't know were there.
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