Among professionals (scientists, engineers, doctors, lawyers, etc), there are the dull plodders and then there are the interesting eccentrics. I have met an Oceanographer who is also a killer sax player, in a Paul Desmond meets Cannonball Adderley sort of style, an expert in maritime law who was a killer Flamenco guitarist, a cardiologist/heart surgeon who was a highly skilled visual artist .... No reason you can't be a Jazz-playing Mechanical Engineer. Be one of the cool ones!dzavracky wrote: Sun May 12, 2024 1:17 pm As some of you know, I am a college student. And after 6 long years, I am walking across the stage this coming Friday with a bachelors in Mechanical Engineering and Jazz/Studio performance. I am still figuring out what I want to do in life. Part of me has always wanted to move into NYC to pursue Jazz as a career. Now I am fully aware that this path if not really the most lucrative. But it has always been a dream and I know it would be really hard...but it's my dream. And I don't want to just give up my dream for the sake of making money and having a career. Ideally, I want to find a way to do engineering and jazz at the same time.
Most musicians, especially now with the blood sucking financial vampire of streaming, have day jobs. And it has almost always been so. Cannonball Adderley and his brother Nat were school teachers, I think, until there was a scene that would support them. When the Rolling Stones first met Howling Wolf in person, he was working a painter in Chess studios, despite already being a long standing NAME in his genre. John McLaughlin, taught, repaired instruments, delivered milk, did studio work, etc. We could go on and on and on.