Steve wrote:Alang, you're completely right. I also think though that the earlier machines have less 'use' given their limitations and most collectors like to use and play their machines so the 'display' machines get lower priority unless they're of the museum quality and a collector is hunting for that specific model.
True, that, but quite a change over the years.
In my youth, back in the late 1960's and early 1970's, back when I was young Master Kirtley's age, most of the collectors that I knew generally were not at all interested in playing their machines.
Some of these old gents hardy had any more records than would fit on the turntables and mandrels of their machines, and when a record was played; OH! what a sound!
One fellow, who had quite a collection of machines including some of considerable rarity, was so cheap that he would never replace the rear rubber ring in Exhibition reproducers, because "no one would see it".
His disc machines were inevitably set to revolve at around 100 RPM, and his cylinder machines at around 200 RPM because it made the military band records that he inevitably used for demonstration purposes sound "peppy", and incidentally covered up governor wobble.
For many years record collectors and talking machine collectors seemed almost to be in opposition to one another. Record collectors would not believe that the discs could be safely played on properly maintained old machines, and machine collectors could not understand the prices record collectors paid for premium discs.
It seems as if the tow areas of interest began to converge in the 1980's and 1990s, as a new generation of machine collectors who enjoy music and record collectors fascinated by machinery entered the hobbie(s).