
The record was extremely noisy, a whole slab of bacon frying. It seems that many Victors from this period are. I tried to cut the noise down without eliminating too much of the music.

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Allan Sutton, in his new book "Recording the Twenties", states that it was a conscious decision by Victor to increase the abrasive compound in the shellac mixture, after electric recordings were introduced, to help reduce damage to the grooves by the less-than-compliant mica-diaphragm reproducers of pre-Orthophonic machines. I wonder if this even had the desired effect. But the noisy pressings (a bane to modern collectors) were much less a problem in olden days.Wolfe wrote:The record was extremely noisy, a whole slab of bacon frying. It seems that many Victors from this period are. I tried to cut the noise down without eliminating too much of the music.