Thanks,
Jim
Jim, Sorry to comment on something I know nothing about. However, I see the reproducer looks like it's not pushed in all thew way. Just wonder if that is indeed the case...???.phonojim wrote:Thanks for all the great information. I've never worked with Amberola 1/Opera type reproducers, so I didn't really know where to start looking. The idea of the claw dropping to far because of worn stops makes a lot of sense because I compared the claws and they look very similar, so I think only a little fine tuning, if anything, may be needed there.
When I looked at this the other day, I didn't even know to look for the stops.
Jim
True: I notice in the second photo, there's a slight gap between the 'shoulder' in the reproducer throat, and the edge of the stanchion. You might check whether the other reproducer has a similar gap....gramophone78 wrote:Jim, Sorry to comment on something I know nothing about. However, I see the reproducer looks like it's not pushed in all thew way. Just wonder if that is indeed the case...???.phonojim wrote:Thanks for all the great information. I've never worked with Amberola 1/Opera type reproducers, so I didn't really know where to start looking. The idea of the claw dropping to far because of worn stops makes a lot of sense because I compared the claws and they look very similar, so I think only a little fine tuning, if anything, may be needed there.
When I looked at this the other day, I didn't even know to look for the stops.
Jim