This record is in very good condition indeed for a 100 year old disc, but the noises typical of such a record seem louder in this case, due to the lower overall volume level of the recording.
The disc was already very clean. It sounded the most 'on key' to me at 75.75 rpm. I transferred it to my Masterlink at this speed through the modified Crown IC-150A preamp, using its filters and tone controls to obtain as natural and low-noise a reproduction as possible going into the digital realm. Once there, to best minimise stray ticks and other noises, I divided the recording into smaller sections, some of them only a fraction of a second in duration. Each segment was treated to careful limiting that would only clip off the spikes of 'ticks' whilst leaving the music's dynamics untouched. There were over 50 such small sections made and individually treated by this process, requiring several hours of labour to complete.
After this, the sections were then rejoined to make one proper track. Fades for the head and tail of the track, and further filtering and equalisation were added, to refine and polish the sound, and reduce unwanted sounds below and above the frequency range of the recording.
Click on the label to hear the result.

It is my understanding Columbia did not do well with classical music recordings for quite some time; not until perhaps the World War 1 era did they begin to have anything approaching Victor in this realm. For one thing, Victor managed to sign most of the biggest stars to its Red Seal division, so there wasn't always too many others left.
Vivienne here sounds alright, but what's up with the chorus behind her? There's a cough in one place, and several instances where they are quite out of tune behind her. (Did they think no-one would hear those problems on the players of the day?) Perhaps things like this were among the reasons Columbia ran a poor second with classical releases early on....