Any ideas on how to proceed? The back is still stuck!


The soundbox that's now broken came with this HMV 101, judging from the style of the decal and the use of the earlier motor (410) it should be an earlier one, with brass soundbox, and no pot-metal.Steve wrote:Bart, save yourself a lot of time and wasted energy and simply buy a brass No.4. That is an all pot-metal soundbox you have there and you'll never separate them successfully. The 'other' back will also be distorted and will never sit right into the 'first soundbox' front bezzel. I say go brass all the way. They're cheap enough to buy on Ebay and very common too, which is a good thing.
The only snag is that the pot-metal ones are chrome plated whilst the brass ones are nickel. Presuming the machine has chrome fittings, will mean that you will have to get the nickeled brass bezzel chrome-plated somewhere?
bart1927 wrote:kick
(Kicking means replying to your own posts in order to move them up in the list, so the topic gets renewed attention)brianu wrote:bart1927 wrote:kick
?
it was potmetal (there may not even be any cracks on the outside while it's nevertheless degenerating on the inside, and the freezing may have even contributed... this has happened to me with a couple of Pathé reproducers that I could have sworn were brass until they broke... brass typically doesn't break, nor does it noticeably swell). so you should just get another one, preferably the brass.
Hmm, that's slightly disappointing. Especially since I bought this gramophone from someone who is also a member on this board. I won't reveal his name, but he posts frequently about rings and red faced leading dealersbrianu wrote:right, I know what kicking, bumping, etc., is. I just didn't understand why you did it because the questions seemed to have been answered.
sure, maybe it came with the wrong reproducer, or more likely someone could have just swapped it out for any number of reasons along the way - perhaps they wanted the original brass one for another machine, so they kept it and substituted a pot metal one for what came to be your machine. unless you can trace the provenance of the phonograph through every owner back to the original one, you'll probably never know for sure, but what difference does it make? it's a nice machine with what I think is a less common covering to the case. just get a decent brass reproducer for it, as others indicated already would typically have come with it when purchased new, and that's that. no?